The Government has offered Australia's three mobile operators, and vividwireless, renewal of their existing spectrum allocated on 15 year licences in the late 90s and early 2000s at set prices, while the Government expects to rake in $3 billion.
Interestingly though, some 80 percent of those P2P users would be
willing to pay for legal DRM-free music on a flat rate basis using the
same file-sharing technology.
Ex-Undertones lead singer, Feargal Sharkey, is now the Chief Executive
of British Music Rights and believes the music industry should draw
great optimism from the survey findings. "It is quite clear that this
young and tech-savvy demographic is as crazy about and engaged with
music as any previous generation" Sharkey says, adding "contrary to
popular belief, they are also prepared to pay for it too. But only if
offered the services they want."
What they want, it seems, is a legal file-sharing service where music
from anywhere in the world could be downloaded and kept forever. In
stark contrast to that 80 percent figure, only 35 percent expressed an
interest in a streaming service without the permanent copy factor.
Be it streaming or sharing, a surprising 63 percent said they would
still buy CDs as well as use such a digital service. It appears that a
physical hard copy, along with the artwork and lyrics, still mean a lot
to music fans of all ages.
Technology has changed the way consumers copy and share music, and
increased the value of these activities, there can be no doubt about
that. However, Sharkey warns "it is clear that the financial gains are
not necessarily feeding back to the creators: artists, composers and
songwriters."
The key challenge, as far as the music industry is concerned, remains
how best to reposition itself to build new relationships with artists
and music consumers alike.
David Bass
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